The Key of Db, from the Melody
The tonic, subdominant and dominant, and what this instrument does across them.
Db major harmonises to Db – Ebm – Fm – Gb – Ab – Bbm – C°; C# minor to C#m – D#° – E – F#m – G#m – A – B. A son in this key mostly alternates the tonic and the dominant; a ranchera adds the subdominant; a bolero reaches for the submediant and the supertonic on its way home.
In the melody section this instrument is the melody section's written line — several players bowing one part together, so intonation is a group problem before it is anybody's solo. A chord on a bowed neck is really a choice of double stops drawn from these tones, plus the arpeggio a bow can walk through the rest — and a section playing in unison has to agree on which one, because two answers at once is a chord nobody wrote.
Learn the tonic, subdominant and dominant in Db until the hand goes there unasked, and the repertoire in this key is largely playable before anybody names a form.