C Whole Tone on Vihuela

C Whole Tone runs 6 notes to the octave. Below it is mapped onto this instrument's A–D–G–B–E fretboard with every C marked, because what a player needs mid-number is not the pattern but where the root is when the harmony moves under it.

Weightless and dreamlike — six equal whole steps with no leading tone, so nothing pulls anywhere. Blurry, floating, and faintly unsettling, like a dream sequence.

Heard in: Impressionist piano (Debussy's "Voiles"), Thelonious Monk's runs, dream-sequence film cues, and the augmented and 7#5 chords it fits in jazz.

The armonía is not a soloing section, so a scale here is diagnostic rather than melodic: it is how a player finds which tones a grip is actually putting in the air on a neck whose octaves do not run in order.

Take it slowly against the playback until the geometry stops being geometry, then put it under a number in C and let the written line pick its own notes out of it.